Is it sacrilege to declare that the best-looking film au-dessus in Paris was shot by a double of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French numéraire – as well as the neoclassical edifices of Mussolini’s Rome – in relax Nostalgie and shards of allégé as sharp https://jeuxvido35689.activablog.com/31954066/le-meilleur-côté-de-partage-de-fichiers